Sunday 29 April 2018

Keys to Drawing with Imagination - Take a Line on a Walk

Groovy
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

Keys to Drawing with Imagination by Bert Dodson has the subtitle “strategies and exercises for gaining confidence and enhancing your creativity”.

I am reading the book and working through the exercises because I enjoyed Bert’s  Keys to Drawing (see earlier posts on Keys to Drawing) and I am hoping the book delivers on its subtitle. It is part of the plan to increase the confidence and variety in my mark making and to incorporate more emotion and spontaneity into my drawings.

Marquetry
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

The first chapter is about Doodling and Noodling:
  • Doodling is … doodling – “A drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be composed of random and abstract lines, generally without ever lifting the drawing device from the paper, in which case it is usually called a scribble”. Thank you Wikipedia.
  • Noodling is the process of decorating a doodle in a deliberate and controlled way. Bert talks about noodling processes – such as covering the doodle with dots or pinwheel patterns.

Apron
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

Bert differentiates between the two activities:
Doodling is typically free, loose, spontaneous, vigorous and fragmentary. The noodling stage is often controlled, patient, mechanical, repetitive and complete.
Concentric Lines
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

The first exercise is Take A Line on a Walk. You begin with a large doodle. Letting your pen go in any direction it wants, but making sure it ends up back where it started, so you create an enclosed shape. You then decorate the doodle with a noodling operation.

Territories
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

The exercise was more fun than I anticipated - time consuming, repetitive noodling isn’t really me, but I quite enjoyed it. Some of the results surprise me – if I hadn’t drawn them, I wouldn’t guess they started out by taking a line for a walk.

Nachos
Take a Line on a Walk
Keys to Drawing with Imagination
Ink on Paper
21cm x 29.7cm (8.3" x 11.7")

I made a mistake in the pattern in almost every one of the drawings, but that is one of the joys of working in ink – you just have to smile (or sigh) and live with it.

Sunday 8 April 2018

March 2018 Sketches

Two Kinds of Tulips
29 March 2018
Watercolour
Stillman & Birn Alpha Series Sketchbook
14.0cm x 20.3cm (5.5" x 8.0")

March has been another quite month for sketching. There have been a lot of distractions. Work has been hectic and when I’ve had a few spare minutes, it is easier to pick up a doodle for exercise 1 of Keys to Drawing with Imagination than to start a sketch. I’ve also been doing some painting.

Mindful Leaf
25 March 2018
Watercolour Pencil
Stillman & Birn Alpha Series Sketchbook
20.3cm x 14.0cm (8.0" x 5.5")

The sketch at the top of the post is my favourite from the month. The other two sketches are based on practices from Mindfulness & the Art of Drawing by Wendy Ann Greenhalgh.

Mindful Mushrooms
18 March 2018
Graphite Pencil
Stillman & Birn Alpha Series Sketchbook
20.3cm x 14.0cm (8.0" x 5.5")

I am planning to get back into sketching during April by restarting Liz Steele's SketchingNow Edges course (see SketchingNow Edges for my previous experience with the course).

Sunday 1 April 2018

Expressive Drawing – Multi-Shape Drawing


Multi-Shape Drawing
Expressive Drawing - Chapter 4 - Build 3
Acrylic Ink and Paint on Paper
59.4cm x 84.1cm (23.4" x 33.1")

Chapter 4 of Expressive Drawing by Steven Aimone concerns Shape. I’ve posted drawings from the earlier exercises in this chapter on a previous post (see Expressive Drawing - Shape Compositions).

The third and final “Build” exercise in the chapter is a more open-ended examination of shape and shape relationships – you are even allowed to use more than one colour. I began the with some automatic drawing (aka mindless doodling, see Expressive Drawing - The Drawing Process). This evolved into an exploration of organic and geometric shapes.

I used acrylic paint and old brushes for the exercise. This choice of materials raised questions about the difference between drawing and painting. I’m not sure this is an important differentiation, but I covered over some expressive lines which I was disappointed to lose. For the next few exercises, I’m going to focus on line work with more traditional drawing materials such as charcoal and graphite.